Whilst playing with German melodic black metallers Dark Fortress, Walter “Crom” Grosse began working on a solo-project that was worlds apart from the raw aggression normally associated with the genre in which he started. The more the work progressed, the more Grosse realised that he much preferred to forge his own musical path, a path where melody is the defining factor, and, following on from the positive response to his debut EP “The Fallen Beauty”, he decided to focus his attention solely on the band that had become Crom.
Grosse has never made any secret of his admiration and respect for Quorthon. Like many other musicians, he is influenced by the epic melodies of the legendary Bathory, but, unlike many, he has allowed the influence to subtly shade, rather than define, the musical content. Crom has an individuality that can only be described as, well… “CROM”!
Delicate acoustic guitars are counter-pointed by crushing metal riffs. A powerful vocal performance is accompanied by melodies that are in turn poignant or majestic. With his use of choirs, epic arrangements, skilful transitions, and stirring melodies, Grosse is able to conjure up images of mighty warriors and lost loves; epic struggles and tragic personal losses; despair and ultimate
After three albums (“Vengeance” in 2008, “Of Love And Death” in 2011 and “When Northmen Die” in 2017) Crom is now ready for a new chapter in its career, signing a new record deal with From The Vaults and releasing a new EP, “Into The Glory Land”, in December 2021.