Author: Fernando

Altar Of Oblivion – In The Cesspit Of Divine Decay

In late 2022, ALTAR OF OBLIVION signed a deal with From the Vaults and released last year’s “Burning Memories”-EP serving as an appetizer for their upcoming fourth full-length. But NOTHING could foresee what was to come. “In The Cesspit Of Divine Decay”, the new album from the Danish epic doomsters, is a concept work based on the diary of guitarist Martin Meyer Sparvath’s maternal great-grandfather Jesper Wilhem Meyer, who reluctantly fought for the German Empire during The Great War (1914-1918). 

Preparations for this aural endeavour began in 2005, when the band tracked a demo version of what years later would morph into the now completed album, which was originally supposed to be the debut full-length of the early duo incarnation of the band. This album contains some of the band’s first ever creations, and in many ways, it can be regarded as some sort of Altar Of Oblivion-prototype, bringing forth and spewing out their darkest and most traditional epic doom-work to date.

During and since the pandemic, Altar Of Oblivion have been in recording mode, finishing both new and old stuff, including two full-lengths, two EPs and an acoustic album, enabling the band to take a well-deserved studio-break in order to focus on live shows from now on. A number of gigs have been confirmed for 2024, and the collective is now looking forward to hitting the stage again, heavier, older and more invigorated than ever. Time will tell if playing live is the right cure for a severe case of discoloured studio tan.

The origins of Altar of Oblivion can be traced back to 2003, when Martin Meyer Sparvath (guitars/vocals) and Allan Larsen (drums) formed a duo called Summoning Sickness. Three years later, this doubtful project was transformed into a four-piece named Altar Of Oblivion, and the entity went from playing simple black/speed/heavy-metal to epic doom metal. The band has so far, apart from a number of demos, EPs and a live album, three full-lengths under its belt.

“In The Cesspit Of Divine Decay” will be released on LP (black vinyl) and digital formats on June 28th, 2024 via From The Vaults. 

Mik Mentor – vocals
Martin Meyer Sparvath – guitars & guitar-synth
Jeppe Campradt – guitars
C. Nørgaard – bass
Danny Woe – drums
Jannick Nielsen – keyboards


Official site
Apple Music


European heavy/power metal, with its strong melodies, big chorus, heavy riffs and bulletproof musicianship, is one of the most recognisable styles in metal. With roots back in the metal gods Iron Maiden, Rainbow and Judas Priest, the style morphed, evolved and developed throughout the years, producing new stars to the constellation (Avantasia, Rhapsody, Sabaton, to name just a few), but never really lost its soul and essence. This is the world where international act SCREAMING SHADOWS move.

With four strong albums in their back-catalog, the band led by Tygers Of Pan Tang guitarist Francesco Marras is back with one of its strongest offerings yet: “Legacy Of Stone”. A powerful set of songs that embrace the true heavy metal and NWOBHM influences of the past, but delivers them with a cutting-edge musical sharpness and a clear punch in production. Clearly, one of the best heavy/power metal records in 2021.

“Legacy Of Stone” is available now in digital, LP, and CD formats via From The Vaults.

Francesco Marras: guitars
Alessandro Marras: vocals
Michele Sanna: drums
Jürgen Steinmetz: bass



Formed in late 2004, Eruption is a thrash metal band from Ljubljana, Slovenia. Throughout the years, the band has always kept fast, guitar-based and infectiously melodic metal as their mission statement, culminating in the releases of “Lifeless Paradise” in 2009, “Tenses Collide” in 2012, and “Cloaks of Oblivion” in 2017. All three full-lengths, accompanied by 2014’s “Live Transmissions” EP, saw the band explore classic machine gun thrash riffing accompanied by the soaring melodic vocals and sci-fi musings of vocalist Klemen Kalin. 

The energetic blend of influences allowed the band to present its music in a dynamic, furious stage show that saw Eruption share the stage with names such as Warbringer, Nuclear Assault, D.R.I, Iced Earth, perform on the main stage of festivals such as MetalDays and Underwall as well as garner excellent live responses from around Europe. 

The apocalyptic concept behind the upcoming ERUPTION’s fourth studio album “Tellurian Rupture” is about bleak, dark, and heavy things. At least for civilizations, that is. Yet with a fall of an empire comes rebirth. Forged under the grey skies ridden with COVID-winds, when every prognosis seemed hopeless and induced despair, “Tellurian Rupture” was not an easy undertaking. Through perseverance, blood, sweat, and tears a behemoth of power-infused thrash metal was born. 

“Tellurian Rupture” is out now on digital, CD and LP (black/gold vinyl, limited to 300 units).



In the mid-1980s, Denmark’s Artillery established themselves as being at the cutting edge of the thrash movement, and nearly forty years later, they continue to destroy. Coming from the suburbs of Copenhagen, the band spent the early 80’s defining their sound and changing members until their debut “Fear Of Tomorrow” was released in 1985 by neat records by the classic line-up of Flemming Rönsdorf (vocals), Michael Stützer (lead guitar), Jørgen Sandau (rhythm guitar), Morten Stützer (bass) and Carsten Nielsen (drums).

Two more albums – “Terror Squad” (1987) and “By Inheritance” (1990) – were recorded until the band eventually disbanded in 1993, by then already hailed as one of the major thrash forces in Europe and the main band in Scandinavia playing the genre.

After a brief return in 1999 with the album “B.A.C.K.”, Artillery went dormant again, before it resurfaced the scene in 2009 with the album “When Death Comes”. By then, the Stützer brothers were well solid as the guitar duo and the drummer Carsten Nilsen was the other surviving member of the classic line-up. The band was completed by vocalist Søren Adamsen and bassist Peter Thorslund. From that point on, Artillery got the thrashing machine moving full-speed again, with one new album released roughly every two years, until the recent “X”. However, the band’s road was also struck by tragedy, when Morten Stützer died in October 2019 due to a blood clot. 

Nowadays, Artillery is one of the oldest and most respected bands in the thrash scene, refusing to give in to any modernity or sound changing, but always evolving and finding new ways to thrash and shoot down watery metal trends.


Gauntlet Rule

Gauntlet Rule was formed in 2019 by guitarist Rogga Johansson (Paganizer, Massacre) and bassist Peter Svensson (Assassin’s Blade, Void Moon) with the intent of creating timeless heavy metal. The line up was completed by vocalist Teddy Möller (Loch Vostok). Despite of, or maybe because of, the style of Gauntlet Rule being a huge departure from the styles of Johansson’s and Möller’s main bands, the band manages to create an original sounding record yet maintain all the trademarks of classic metal. The songs range from speed metal to almost doom metal, but the focus on fist-pumping heavy metal is never let go. The foundation of the songs is the unrelenting riffing of the riffmaster Johansson, backed by the tight and sometimes adventurous rhythm section of Svensson and guest drummer Lars Demoké. The massive vocals of Möller set the tone for the journey through the landscapes of “The Plague Court”. Lyrical themes include horror stories, war, internal struggles, and supernatural concepts; sometimes several of the themes in one song. 

The debut album “The Plague Court” was released on March 18th 2022, on CD, LP and digital.

“The Plague Court” marked the first release by Gauntlet Rule, but already new material is being worked on. While real gigs are impossible at the moment, the band is working hard to be at the top of their game once touring can resume.

The album also features the excellent vocal talents of two guest vocalists; Blaze Bayley (ex-Iron Maiden) lends his world-class pipes to the track “Dying for My Dreams”, to which he also contributed additional vocal arrangements and lyrical adjustments. The other vocalist is Lorraine Gill from cult US Metal band Taist of Iron, she adds her haunting yet powerful vocals to the track “A Choir of Angels”.


Screaming Shadows

Screaming Shadows is an Italian metal band from Sardinia founded in 1999 by guitarist Francesco Marras. After a demo tape and a mini-cd, in 2003 the band released, as self-produced record, the first full-length entitled “Behind the Mask”.

In 2006 they signed their first record deal with the new born Italian label My Graveyard Productions and released the albums “In The Name Of God” in 2006 and “New Era Of Shadows” in 2009. Both received a good feedback from magazines and webzines.

After many concerts in Sardinia, Italy and U.K., in 2011 the band released the album entitled “Night Keeper”, with the Italian label Jolly Roger Records. In this album many important musicians of the Italian musical scene were involved, such as Alessandro Del Vecchio, Mattia Stancioiu, Pier Gonella, and many more.

In 2021 the band led by Tygers Of Pan Tang guitarist Francesco Marras is back with one of its strongest offerings yet: “Legacy Of Stone”, which will be released on November 12th. A powerful set of songs that embrace the true heavy metal and NWOBHM influences of the past, but delivers them with a cutting-edge musical sharpness and a clear punch in production. Clearly, one of the best heavy/power metal records in 2021.

Official site


Meridian is a melodic heavy metal band. It all started when drummer Klaus Agerbo and bassist Peter Bruun meet in Esbjerg, Denmark, and soon find that they share a great passion for old-school 80’s heavy metal. They decide to start a band based on that style and, joined by guitarist Søren Steffensen, the trio starts jamming old 80’s metal stuff. Singer Lars Märker joins the band in 2006, starting out playing rhythm guitar as well. This completed lineup starts writing their own songs, and quickly develop a clear musical profile. – Classical heavy metal with power and melody.

Two EPs were released in 2007 and 2009, while Meridian adjusted their line-up. In 2012 a huge leap was made when guitarist Martin J. Andersen joined the band. At the same, time the debut album started to take shape. The release came in 2013, with the title “Metallurgy”. “Breaking The Surface”, their second offering, was out in 2016 and it featured new guitar player Marco Angioni, who revealed himself as a pivotal member of the band, having also producer competencies. In 2019, Meridian’s third studio album “Margin Of Error” was released much to great fans and press appraisal. A year later, the Danish five-piece paid tribute to their influences with the cover EP aptly titled “Taking Cover”. A kind of formal ending for the first period in Meridian’s career and, while the future looks bright for the Danish band, they’re already an established powerhouse in European classic and melodic heavy/power metal.

In 2022, the new album “The 4th Dimension” was announced. As with many quintessential albums, the latest studio offering from the Danish five-piece comes, musically, with a wide variety of songs, from real heavy numbers (“The Road Back To Hell”, “Warning Shots”) to really melodic hard rock songs (from which “Say That You Want Me” is a perfect example). Not forgetting epic songs (“Dreamers”) and fast tracks like “Remove Your Crown”. As in the 80s, no boundaries, no overthinking. “The attitude was ‘Everything is possible and anything goes’”, guitarist Marco Angioni comments about the writing process. “If a song is good and we all like it, it goes on the album”. Again, an attitude that screams “80s” from the top of its lungs. 

Produced, mixed and mastered by Angioni (a renowned producer himself, with bands such as Tygers Of Pan Tang, Steel Inferno and Iron Fire in his resume) and recorded in Angioni Studios between October 2021 and January 2022, “The 4th Dimension” is one of those career-defining albums in which Meridian reaches full maturity and shoot for the stars. 

“The 4th Dimension” is out now on digital, CD, and LP (marbled transparent orange/black vinyl, limited to 300 units) via From The Vaults.

Official site

Photo by Lena Angioni


AnoxiA is a well-established act on the Danish underground live metal scene, their longevity dating back 20+ years. Hell bent on having fun during performance, AnoxiA approaches any gig fully charged, sincerely convinced that in order for the audience to enjoy, the band must enjoy. 

In 2003 the group from Nyborg released its unofficial debut album “Melanchollision”, after two demos unleashed in the three years before. 3 years later, the EP “Kept In Sin” made AnoxiA a solid part of the Danish metal scene.
The band finally unleashed the album “A Lapdance For The Devil” in 2010, their first one for Mighty Music. International recognition was waiting for them, as well as a strong road activity.

Never a band in a rush, AnoxiA made their growing fanbase wait a few more years before “To The Lions”, their 2019 full-length album, saw the light of day. But the wait was totally compensated with an old-school heavy metal record – melodic, yet hardhitting and thrashy at times. At times even a modern twist sneaks in. The songs are carved around strong riffing a wide array of vocal variation, supporting the musical landscapes.

Official site

Photo by Camilla Lundbye


Tysondog hail from Newcastle in the UK. Established in 1982 during the NWOBHM boom and signed to Neat records in 1984, Tysondog grew in popularity as a heavy metal band giving them the name and status they truey deserved.

Of all the New Wave of British Heavy Metal hopefuls to sign with Neat Records in the early ’80s, Tysondog was among the most mindful of commercial metal trends, but like most of their labelmates, widespread success would elude them in the end. Alan Hunter (guitar/vocals), Paul Burdis (guitar), and Kevin Wynn (bass) were all bit players in northern England’s highly incestuous but vibrant club scene when they formed the axis of what would become Tysondog (initially using the name “Orchrist”) around 1982.  The new group signed with nearby metal label Neat, secured the services of singer Clutch Carruthers and drummer Peter Reeve, and proceeded to record their first single, “Eat the Rich,” in 1983. Albums “Beware Of The Dog” (1984) and “Crimes Of Insanity” were released and things seemed to be back on track for Tysondog, but much of their building momentum would soon to be squandered when Carruthers was sidelined by a serious car crash, and his resulting health issues.

Tysondog regrouped again in 2008 and after a few years passed seen the departure of Rob Walker on drums and Alan Hunter on Guitar, they were replaced by Philip Brewis and Steven Morrison.

In 2018 a shock arrived in the news of retiring frontman Clutch Carruthers leaving because of health issues. His spot was filled by French rocker Bill Kendama who helped out with great performances all over the UK and Europe. With the help of Clutch a new album, entitled “Midnight” was recorded and was released on April 29th, 2022.

This record is dedicated to great friend and road manager Danny Stephenson, who they lost in 2020.

Also in April 2022, Tysondog announced the recruitment of Alan Ross as the new vocalist. Ross, who is the son of Blitzkrieg’s Brian Ross, is also the guitar player in the band led by his father. Alan Ross fills the place left void by the vocalist Clutch Carruthers, who performed as a guest on the new album “Midnight”, but is unable to perform live due to health issues. “Midnight” was at the end of April via From The Vaults, but Tysondog assumes to have the next studio album – the first featuring Alan Ross – completely written. “We are ready to jump straight into the studio and get him down singing the new stuff“, bassist Kevin Wynn comments.

Official site