Denmark has a thing or two to say about traditional heavy metal and hard rock. As the nation that gave birth to bands such as Mercyful Fate, Artillery, and Pretty Maids, the steel seems to be strong in the country’s soil. Steel Inferno is one of the latest offerings in this line of succession. The raging speed metal machinery from Copenhagen has been, in the last decade, among the local frontrunners in the new resurging wave of traditional heavy metal. 

And now the band’s third full-length album “Evil Reign”, is unleashed. It features a handful of ferocious metal assaults that leaves no listener spared. The collective appeals in an irresistible manner to fans of classic metal in the vein of Agent Steel, early Slayer, and Overkill and to everyone who is into speed and intensity mixed with a sense of malicious melody. With a timeless production made in Angioni Studios by Marco Angioni (Tygers Of Pan Tang, Iron Fire, Meridian), “Evil Reign” is the heavy/speed metal battlecry of 2022. 

Steel Inferno was formed in 2012 and has since its formation released two full-length albums: “Aesthetics of Decay” in 2016 and “…And the Earth Stood Still” in 2020. 

In 2020 the band joined forces with a new singer – Chris Rostoff – and while the world was shut down the band started to write new songs. The band then signed with From The Vaults in 2021 and entered Angioni Studios in early 2022. The result is the album “Evil Reign” which takes the band in a slightly different direction. If the Steel Inferno’s early material was akin to European metal like early Accept and Judas Priest, the newer material is closer to some of the earliest US power metal bands such as Helstar and Jag Panzer – all mixed with a fundamental inspiration from early thrash and speed metal. 

“Evil Reign” is out now on digital, CD, and LP (black vinyl, limited to 300 units) via From The Vaults.

Lineup:
Chris Rostoff – vocals
Jens Andersen – guitars
Thierry Zubritovsky – bass
Lars Lyndorff – guitars
Krzysztof Baran – drums  

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Let’s go back to the 80s. Back then, there were no style boundaries. You were either into heavy metal rock or you were not. Bands like Scorpions, Pretty Maids, W.A.S.P. or TNT gathered a legion of loyal fans around them looking for the thrill of screaming guitars and epic melodies. More than fans, we were family. The heavy rock family. 
Many bands have, since then, tried to capture the feeling of those days. Many have failed miserably, but others have succeeded to give us a glimpse of that golden era. Among the latter, the Danish collective MERIDIAN is one of the most brilliant. They’ve been shaping their sound in three studio albums since 2013 and even in an unapologetic covers EP where they showed their diversity of influences. But now it’s time for a whole different ball game. Enter “The 4th Dimension”. 

As with many quintessential albums, the latest studio offering from the Danish five-piece comes, musically, with a wide variety of songs, from real heavy numbers (“The Road Back To Hell”, “Warning Shots”) to really melodic hard rock songs (from which “Say That You Want Me” is a perfect example). Not forgetting epic songs (“Dreamers”) and fast tracks like “Remove Your Crown”. As in the 80s, no boundaries, no overthinking. “The attitude was ‘Everything is possible and anything goes’”, guitarist Marco Angioni comments about the writing process. “If a song is good and we all like it, it goes on the album”. Again, an attitude that screams “80s” from the top of its lungs. 

Produced, mixed and mastered by Angioni (a renowned producer himself, with bands such as Tygers Of Pan Tang, Steel Inferno and Iron Fire in his resume) and recorded in Angioni Studios between October 2021 and January 2022, “The 4th Dimension” is one of those career-defining albums in which Meridian reaches full maturity and shoot for the stars. 

“The 4th Dimension” is out now on digital, CD, and LP (marbled transparent orange/black vinyl, limited to 300 units) via From The Vaults.

Lineup:
Lars Märker: vocals
Martin J. Andersen: lead and rhythm guitars 
Marco Angioni: lead and rhythm guitars 
Peter Bruun: bass
Klaus Agerbo: drums 

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Apocalypse is not necessarily a bad thing. The actual meaning of the word is ‘revelation’. But through the ages it was shown over and over again that ‘to reveal something’ is to ‘face something bad’. Of course, we could go on and on by asking ‘But what does bad actually mean?’ Let’s face it – doom or delight is in the eye of the beholder. 

The apocalyptic concept behind the upcoming ERUPTION’s fourth studio album “Tellurian Rupture” is about bleak, dark, and heavy things. At least for civilizations, that is. Yet with a fall of an empire comes rebirth. Forged under the grey skies ridden with COVID-winds, when every prognosis seemed hopeless and induced despair, “Tellurian Rupture” was not an easy undertaking. Through perseverance, blood, sweat, and tears a behemoth of power-infused thrash metal was born. 

“Tellurian Rupture” is Eruption’s most ambitious album to date. It’s epic, dark and technical, explosive at one time and brooding the next minute, yet it still maintains the foundation on which every Eruption’s album was built – catchy melodies, sharp riffing and memorable vocal hooks. The album is a gargantuan listening voyage, an emotional rollercoaster of anger, despair, fear, but also hope. 

As the planet’s crust ruptures and ancient titans rise once more witness the destruction, embrace chaos, and welcome rebirth! 

Formed in late 2004, Eruption is a thrash metal band from Ljubljana, Slovenia. Throughout the years, the band has always kept fast, guitar-based and infectiously melodic metal as their mission statement, culminating in the releases of “Lifeless Paradise” in 2009, “Tenses Collide” in 2012, and “Cloaks of Oblivion” in 2017. All three full-lengths, accompanied by 2014’s “Live Transmissions” EP, saw the band explore classic machine gun thrash riffing accompanied by the soaring melodic vocals and sci-fi musings of vocalist Klemen Kalin. 

The energetic blend of influences allowed the band to present its music in a dynamic, furious stage show that saw Eruption share the stage with names such as Warbringer, Nuclear Assault, D.R.I, Iced Earth, perform on the main stage of festivals such as MetalDays and Underwall as well as garner excellent live responses from around Europe. 

“Tellurian Rupture” is out now on digital, CD and LP (black/gold vinyl, limited to 300 units).

Lineup:
Klemen Kalin: vocals
Gregor Lavtar: guitars
Gregor Kamenšek: guitars
Nika Krmelj: bass guitars
Ivan Cepanec: drums

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An intro and a creaking door welcome you into the MIRAGE universe. Full throttle from the off! 

That’s no wonder. The Danish band’s debut album “…And The Earth Shall Crumble” created quite a stir in 1985 in both the Danish and in international metal scenes. And, to say that in a year when Accept’s “Metal Heart”, Megadeth’s “Killing Is My Business…”, Dio’s “Sacred Heart”, W.A.S.P.’s “The Last Command” and Iron Maiden’s most Faust live album “Live After Death” were released, it’s quite a bold statement. 

Then again, Mirage was no ordinary band. Their melodic blend of heavy metal and hard rock turned their songs into absolute hard’n’heavy hymns, that aged really well, while “…And The Earth Shall Crumble” turned into a gem very sought-after in the following decades. 

But now is 2022. After a hiatus of more than three decades, Mirage is finally back with their second album. 

Wait a minute… “Second album”? 

You heard it right. The record Mirage should have released some thirty-odd years ago is finally a reality! Back in the late 80s the band had to quit because the English record company sent their royalties to their Danish record company, who pocketed the money and filed for bankruptcy! Despite interest from the Danish label Medley Records, the second album was never released, though all the songs were written. 

So, everything on the upcoming Mirage album was written in the late eighties. 

On the back of the first album (“…And The Earth Shall Crumble”, released in 85) it was written: “Watch out for the sequel”. Alright, here is the band again, back in the very recognisable Mirage style: Metal with melody and good lyrics! 

“The Sequel” is out now on digital, CD and LP (black vinyl, limited to 300 units) via From the Vaults.

Line-up:
Torben Deen – lead & backing vocals
Søren Ahm – guitars, keyboards, bass
S.A. Sørensen – drums
Stine Annesen – backing vocals

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Back in the early 80s, the Danish heavy metal scene was taking its first steps, learning a (very) own path away from the strong rock and punk rock backgrounds that the country provided their youth. Those were the years where the highly acclaimed metal bands Mercyful Fate and Artillery took form. But also a few others that, in the following years, saw their career follow different paths and fates, loading to disbanding with a band or simply fading away. Formed in 1983, Copenhagen-natives EVIL were one of these bands. Their debut demo, already in ‘83, set the Danish heavy metal on fire with their heavy metal frenzy and their now-mythical 1984 EP “Evil’s Message” was the confirmation that Denmark had probably one of the strongest metal scenes in Europe back then. Unfortunately, that wasn’t meant to last and the band disappeared from circulation in 1985. 

A return to action was later tried in 2015, with original drummer Freddie Wolf, now on guitars, leading a new line-up that released the debut album “Shoot The Messenger”. But Evil’s career still wasn’t meant to be and the band laid dormant again… Until now! 

The mighty Evil is now re-born with new joining members including vocalist Martin Steene (Iron Fire, ex-Force Of Evil), drummer Henrik Molin (ex-Shadowspawn), bassist Jakob Haugaard (Iron Fire) and guitarist Nikolaj Ihlemann (ex-Nightlight), continuing the original inspirations of bands like Judas Priest and Accept. 

In its current re-vitalized form, Evil has recorded ten new songs. The album, titled “The Book Of Evil”, was produced in Hellfire Studio, Copenhagen, and Antfarm Studio, Aarhus, mixed and co-produced by rewarded metal producer/mixer Tue Madsen. “We have made the new material in the spirit of the eighties but with a modern metal state of mind” Freddie Wolf says. 

The band is now ready to take back a leading role among old-school metal bands. 

Evil is coming! 

“Book Of Evil” is out now on digital, CD and LP (crystal and golden vinyls, each limited to 300 units), via From The Vaults.

Line-up:
Freddie Wolf – guitar
Martin Steene – vocals
Henrik Molin – drums
Jakob Haugaard – bass
Nikolaj Ihlemann – guitar

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https://bit.ly/evil-shop

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Heavy metal is so much more than just music, or a music style. Since its very early beginnings, it gathered people under one flag, it gave to the rejected and misfits of society a sense of belonging and a “tribe” that cared for its members. Unlike many “specialists” predicted, the genre is alive and well more than 40 years after Tony Iommi invented the first heavy and downtuned rock’n’roll riff. More young bands jumping to the style wagon, more astonishing releases every day and new, young fans, discovering new and old bands and opening the doors to the heavy metal world, from which they’ll never go out again. 

From The Vaults is a label created to unite both ends of the heavy metal spectrum. With an A&R team that includes Michael Stützer (from Artillery fame) and Tom Noble (long-time Tygers Of Pan Tang manager), it was created to sign new fresh-blooded groups and old bands of musicians that are slowly realizing that their steady, married profiles can actually fit a “weekend warrior” life again. 

Enter “Heavy Metal Rock Vol. 1”. The label compilation compiled by Michael Hvolgaard Andersen, named after the genre-thematic Heavy Metal Rock Meeting festival that is to be held in Helsingør this March, brings you the best Danish bands signed to the label. From the spiked heavy metal of veterans Evil to the more melodic approach of Meridian, “Heavy Metal Rock, Vol. 1” is a catalog of what’s timeless, new and exciting in the genre right now, released exclusively in the most iconic heavy metal formats of all times: black vinyl. 

Furthermore, you’ll be able to find some never-heard-before songs from bands such as Wasted, Atro City, Mirage, Anoxia, Meridian, Pectora, Steel Inferno or Street Fighter (featuring Rasmus Bom Andersen of Diamond Head fame), while banging your head to the latest songs of Metal Cross, Evil and Alien Force, which have all recently released album on From The Vaults. The “treasures” department go straight to Mirage’s “The Emperor” and Atro City “Introseduction”, two heavy metal underground classics that see edition in black gold for the first time ever. All songs in the compilation were mastered at Angioni Studios by Marco Angioni. 

All good reasons to get your hands into one of the 300 copies of “Heavy Metal Rock Vol. 1”, a record that, more than a compilation, is a way of life statement. 

“Heavy Metal Rock Vol. 1” is out now on LP format (black vinyl, limited to 300 units) via From The Vaults.

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Roughly four years after “Cry Havoc”, the first album in almost three decades from TYSONDOG, the cult NWOBHM band has a new set of songs on their sleeves. “Midnight” is the title of the record, which carries all the elements that made Tysondog such an interesting offer for all those who wanted to dig deeper than the obvious NWOBHM bands back in the day – and find gold. 

As the late legend Malcolm Dome (Classic Rock) put it, “This is a band who represent the true spirit and ethos of NWOBHM – and many years on from this particular movement, people the world over are still desperate to find out the minutiae of the genre. And it’s great to be able to listen once more to their album, providing that an absence of ability wasn’t to blame for their failure to make it to a higher level. So here’s to Tysondog, a band who came, who saw, who never conquered, but had a good time getting close. If you’ve never heard them before, enjoy the music. It’s worth checking out”. 

Back in 1984 the likes of Malcolm Dome, Geoff Barton & Dante Bonutto were tipping Tysondog for major success, emerging at that time from the force that had become known as the New Wave Of British Heavy Metal. One way or another, the fates conspired to deprive Tysondog of the international fame that so many thought they were destined for and in time the band disappeared from the limelight. 

Back in the day, Tysondog “could have been a contender”, as Marlon Brando once said. The five-piece from Tyne & Wear collectively had one eye on Judas Priest and the other nine on producing classy Eighties British metal, and their no-nonsense approach was showcased on two cracking albums, two singles and an EP before they took a one-way trip to the vets. They re-appeared in 2012 with a new four-tracker “Hammerhead”, and with Jeff (Mantas) Dunn sitting behind the glass they ventured back into the studio in 2014 and re-emerged with “Cry Havoc”, their first full album in almost 30 years. 

Tysondog’s rich history was not forgotten & having re-started their engines, they have gradually worked their way back with a new perspective on life and, happy to see that people were, taking major notice, the band recorded “Midnight”, also signing to Danish label From The Vaults. 

“Midnight” is out now on LP (transparent red/black vinyl, limited to 300 copies), CD and digital formats.

Line-up:
John Clutch Carruthers – vocals
Kev Wynn – bass
Paul Burdis – guitar
Phil Brewis – drums
Stevie Morrison – guitar

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